{"id":2267,"date":"2020-01-08T10:25:21","date_gmt":"2020-01-08T10:25:21","guid":{"rendered":"http:\/\/leon-maniere.fr\/?page_id=2267"},"modified":"2020-01-08T13:59:39","modified_gmt":"2020-01-08T13:59:39","slug":"solfege-densemble","status":"publish","type":"page","link":"https:\/\/leon-maniere.fr\/?page_id=2267","title":{"rendered":"Solf\u00e8ge d&rsquo;Ensemble"},"content":{"rendered":"\n<p style=\"color:#831010\" class=\"has-text-color\"><br><br><strong>LM 87<\/strong><\/p>\n\n\n\n<p> <strong><em> Solf\u00e8ge d\u2019Ensemble \u00e0 l\u2019usage des Harmonies et des Fanfares<\/em><\/strong> (1934)<br> Cent cinquante le\u00e7ons progressives<br> &#8211;&nbsp; 1<sup>\u00e8re<\/sup> partie&nbsp;: Cinquante le\u00e7ons en Duo <br> &#8211;&nbsp; 2<sup>\u00e8me<\/sup> partie&nbsp;: Cinquante le\u00e7ons en&nbsp;Trio<br> &#8211;&nbsp; 3<sup>\u00e8me<\/sup> partie&nbsp;: Cinquante le\u00e7ons en Quatuor<br> Paris (18-20, p<sup>ge<\/sup> du Gd-Cerf), \u00c9ditions musicales Buffet-Crampon. 1<sup>\u00e8re<\/sup> partie [B.C.3405<sup>a<\/sup>]&nbsp;; 2<sup>\u00e8me<\/sup> partie [B.C.3405<sup>b<\/sup>] <\/p>\n\n\n\n<p style=\"color:#831010\" class=\"has-text-color\"><br><strong>LM 99<\/strong><\/p>\n\n\n\n<p> <strong><em>Vingt pi\u00e8ces en quatuor<\/em><\/strong> (extraites de la troisi\u00e8me partie du <em>Solf\u00e8ge d\u2019Ensemble pour les Harmonies et Fanfares<\/em>)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Adagio <\/em>(n\u00b017)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Air tendre <\/em>(n\u00b016)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Air dans le style ancien <\/em>(n\u00b018)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Air montagnard <\/em>(n\u00b020)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Andantino expressivo <\/em>(n\u00b05<em>)<\/em><br> <em>\u00a0\u00a0\u00a0\u00a0 \u00a0 \u2013\u00a0 All\u00e9gresse <\/em>(n\u00b06)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Andante <\/em>(n\u00b09)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Au foyer <\/em>(n\u00b03)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Bluette <\/em>(n\u00b04)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Canzonetta <\/em>(n\u00b07)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Chant rustique <\/em>(n\u00b01)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Divertissement <\/em>(n\u00b012)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 En route <\/em>(n\u00b014)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Interm\u00e8de <\/em>(n\u00b010)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Largo dans le style classique <\/em>(n\u00b013)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 M\u00e9lodie slave <\/em>(n\u00b011)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Minuetto <\/em>(n\u00b02)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Romance <\/em>(n\u00b019)<br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Sicilienne <\/em>(n\u00b08) <br> <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013\u00a0 Vieille Chanson <\/em>(n\u00b015)<br>\u2022 Arrangement pour quatuor de saxhorns. Alto mi \u266d. Basse si \u266d. Bugle si \u266d. Baryton si \u266d.<br>Paris (18-20, passage du Grand-Cerf), Buffet-Crampon, 1937. [B.C.3413]<br>\u2022 Arrangement pour quatuor de saxophones. Saxophones soprano ; alto ; t\u00e9nor ; baryton.<br>Paris (18-20, passage du Grand-Cerf), Buffet-Crampon, 1937. [B.C.3414] <\/p>\n\n\n\n<p><a href=\"https:\/\/leon-maniere.fr\/?page_id=2267\">Retour au haut de la page<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LM 87 Solf\u00e8ge d\u2019Ensemble \u00e0 l\u2019usage des Harmonies et des Fanfares (1934) Cent cinquante le\u00e7ons progressives &#8211;&nbsp; 1\u00e8re partie&nbsp;: Cinquante le\u00e7ons en Duo &#8211;&nbsp; 2\u00e8me partie&nbsp;: Cinquante le\u00e7ons en&nbsp;Trio &#8211;&nbsp; 3\u00e8me partie&nbsp;: Cinquante le\u00e7ons en Quatuor Paris (18-20, pge du &hellip; <a class=\"more-link\" href=\"https:\/\/leon-maniere.fr\/?page_id=2267\">Lire la suite <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2086,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2267","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=\/wp\/v2\/pages\/2267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2267"}],"version-history":[{"count":7,"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=\/wp\/v2\/pages\/2267\/revisions"}],"predecessor-version":[{"id":2402,"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=\/wp\/v2\/pages\/2267\/revisions\/2402"}],"up":[{"embeddable":true,"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=\/wp\/v2\/pages\/2086"}],"wp:attachment":[{"href":"https:\/\/leon-maniere.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}